Hot water with lemon.
Hot water.
Water.
Coffee.
Hot water.
Fennel, peppermint, green, or black tea.
Water.
Hot Ribena.
Water.
Wine.
Peppermint or camomile or dried berry tea.
Hot water with lemon.
So runs my daily drinking cycle (during the week). There are, of course, possible alterations to the schedule. An espresso might interject ‘twixt the hot water and herbal tea. The hot Ribena in summer months is generally ousted in favour of a cold Ribena, or when the wind blows me into a particularly sybaritic mood, perhaps even a smoothie. In place of the evening’s herbal tea, there may occasionally be a hot chocolate or hot rice milk.
What never changes is the first and last drink. That sweet nectar from Zeus’s cup, hot water with a quarter of a lemon squeezed and flesh torn in. And, just as the drink itself is immortally unchanging, so too is the vessel from which it is drunk. (When I’m at home that is.)
It is the perfect size – it holds just enough liquid to satisfy my acetous palate, but not so much that I can hear myself slosh up the stairs. It is the perfect material: glass – a firm favourite of mine when it comes to drinking vessel materials. There is something about the feel of the rim against my lips, and the manner with which it holds the temperature of the drink. An espresso or cappuccino from a glass cup is imbibing heaven.
But then the idea of drinking another hot beverage, such as herbal tea from this vessel is absurd. It is the perfect size and perfect material (and perfect rim-thickness) for hot water with lemon. Perhaps at a push I will concede hot water too. But don’t try any other funny business.
(If you had previously decided to see past all of my foibles and anal-ness, I’m really making that hard now, aren’t I?!!?)
I’ve started now so I may as well continue.
There is my vessel for coffee – either a wonderful potato, or one from a Francis Bacon exhibition in Madrid gifted to me by very dear friend. The Olympics one is for The Boy. He got all feverish and patriotic on me during London 2012, the consequence being two vessels, a towel and a hoodie.
This is my vessel for double espresso macchiato, and then the one for espresso. And there’s the hot water and lemon vessel. Very Morandi.
Here my vessel for hot chocolate or hot rice milk – Lea & Perrins vs Pear’s Soap. A decision that always has me flipping a coin in the end to rectify the matter.
Each vessel has been ordained The Vessel of whatever drink after careful consideration of size, material and width of the rim. I avidly hate thick-rimmed drinking vessels. I like to feel the liquid in my mouth, not the liquid accompanied by the rim.
This…what is ‘this’? Precision? Fastidiousness? Punctiliousness? O.C.D??
Anyway, this ‘way of approaching drinking vessels’ was brought to the fore of my mind whilst visiting a dear university friend. She loves her tea. And, as with me and my first (and usually only) coffee of the day, it must be done right. If not, there is the potential for the whole day to be affected by it.
As is my wont I had woken at stupid o’clock for a weekend, and crept downstairs to amuse myself with her cat and fish. (‘Amuse’ meaning playing with one and watching the other. Not mixing the two. That would just be carnage.) When my friend awoke, I asked if she’d like tea, to which the answer was, of course, “yes”, and so I set about making it. I fell almost immediately, however, at the dizzyingly high hurdle that is, what vessel to use???
Like me, my friend has lots of vessels. All different shapes, sizes and materials. I knew what a powerful component of her day’s destiny laid in my hands. My knees weakened. My hand hovered over one vessel, but then I spotted something else at the back that looked even better, and so chose that.
The kettle clicked. Boiling was over. Tea bag laying prone and exposed at the bottom of the vessel, schpoon at the ready, sugar pot alongside.
Like a silver bullet sent from above, my friend suddenly trotted downstairs, favouring her first tea over having a shower.
Relief. She can make the decision.
Turns out she uses the vessel my hand first hovered over. Withering cat rot! Always go with your gut instinct.
And so it turned out that on the weekend there were particular vessels used, whilst during the week when time was restricted, other vessels were used. And aside from such practical considerations, there were thems that she liked and thems that she didn’t simply because she did and didn’t.
We both, however, agreed that this ‘way of approaching drinking vessels’ was only apparent when in our houses. When in other people’s houses of course there is not the option to root through their drinking vessel cupboard in order to find the correct vessel. That would just be rude. And when in restaurants or cafes, if we knew to avoid them for whatever reason we would (Starbucks, along with so many other heinous crimes, serves coffee in vessels with rims as thick as Dame Edna’s glasses), but if we didn’t then no big drama.
What is it about size, shape and material that can alter so dramatically (even if on a subconscious level) our enjoyment of a drink? There obviously is something or else why have so many different shapes, sizes and materials been used through the centuries?
Bone china is renowned as being the finest choice for hot drink vessels, and glass for cold drink vessels. But why not start drinking out of bone china tumblers and glass mugs? And what is a cup if a mug is a mug? Does it come down to a saucer? Why then do we ask for a “cup of coffee” (or tea) when very infrequently they are served with a saucer beneath? And where does the phrase “to be a mug” come from? Where is the correlation between a mug and being made use of, or being taken advantage of? Was it created by a staunch advocate for mugs’ rights?
All these questions, and more, fly through my head with just a simple sip, endlessly whirling around, like tea leaves in the bottom of a ___________ - fill in the blank.




